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I’m not going to ask if you’d make a Mean Girls follow-up, since I’m sure everyone asks you that…And I can’t answer that! [Laughs.] But I will ask you: Would you ever remake a Freaky Friday movie? Your costar Jamie Lee Curtis recently said she’d be on board. 2022 has been both an exciting and challenging year for music. Touring is very firmly back, but for many artists it’s come with a whole raft of financial and COVID-related frustrations. With a glut of major post-pandemic releases, the competition for those top chart spots (and vinyl pressing slots) is fiercer than ever. And as the unstoppable rise of TikTok has continued, the nature of pop songwriting has only further bent to its will. But through it all, the year’s best albums have served as both an escape and a balm. From the return of pop mavericks like Beyoncé and Charli XCX to genre-bending releases from Rosalía and Sudan Archives to alt-rock revivalists from Drug Church to Wet Leg, it’s been a bumper year for music—and there are still another two months to go.
As a millennial Brit, I don’t really have any choice but to love the Arctic Monkeys, but something about their sixth album, 2018’s Tranquility Base Hotel & Casino, with its jazzy, lounge lizard, Serge Gainsbourg–derived pop didn’t quite land for me. Still, I’ll always have time for the Monkeys, so I gave their new record, The Car, a spin—and it feels like everything Tranquility Base should have been but didn’t quite achieve. The deliciously sinister “Sculptures of Anything Goes” is unlike any song they’ve ever written and would make the perfect soundtrack to a spy thriller, while the swaggering, Bowie-esque “Body Paint,” with its lush strings and retro keyboard riff, could have been plucked straight out of the soundtrack of a 1970s French new wave classic. The Monkeys are back on form—and offering a keen reminder, if you needed it, that their Bond theme song is long overdue. —Liam Hess, contributing editor
Beach House’s trajectory feels radical mostly because they’ve never tried to be radical. Over eight albums, the band has released, like clockwork, a new record every two or three years, gently evolving their Cocteau Twins–meets–Mazzy Star brand of shoegaze-y dream pop in subtle, sophisticated increments along the way—never reinventing the wheel, but always spinning it in a new direction. And with Once Twice Melody, released in four “chapters” throughout the winter of 2021 and 2022, the Baltimore-based duo presented their most sweeping, widescreen vision yet. A Beach House album feels less like something you actively listen to and more something to give yourself over to—and getting swept along the current of Once Twice Melody as each chapter unfolded was one of this year’s greatest sonic pleasures, its reverb-drenched beauty feeling like a summation of everything that makes them so brilliant. —L. H.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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