365Inlovestore – Notre Dame New Logo Shirt

This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping

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The mood of each painting oscillates between an almost defiant pride and melancholy, often within the same picture. Standing before Mujer II (BanBan’s favorite, she said during the studio visit), I felt a sense of deep familiarity, even serenity. The woman’s eyes are cast just past the viewer. Her left arm is lifted, covering her chest: protective but not quite demure. I noticed a red circle atop the raised arm. “What’s that?” I asked. It’s her nipple, poking through flesh and bone, hidden no longer—provocative after all.Artist Cristina BanBan in her Brooklyn studio. Photo: Albert Font While BanBan would not call the figures self-portraits, many of them are more or less based on herself—“I use my own body because that is the image I have,” she says—so her use of color is often what distinguishes the works in this series. Dominant shades of sky blue (Mujer I, Mujeres X) or ruby red (Mujeres I, Mujeres IV) naturally make for different atmospheres. Swirling accents of kelly green or marigold delight in their contrast, as do little flecks of impasto on lips or knuckles. The use of color—or the lack of it—on the eyes can rattle, comfort, entice.

Notre Dame New Logo Shirt

The loose, gestural style of the works in “Mujeres” is a sort of peeling back of BanBan’s earlier work, which saw figures still exaggerated in scale but more filled-in, and often placed in visible contexts like a subway car or a home’s interior. This work is more rough-hewn, with traces of charcoal outline and empty bits of canvas peeking through. Her matured style represents an intentional shift, BanBan says. “I am always evolving. I feel so trapped if it’s always the same thing.”BanBan has been practicing art in some form since she was five years old, taking art classes every day as part of an after-school program where she eventually also taught. She studied fine art at the University of Barcelona before moving to London, where her art career took off. Over the past five years she has shown in group and solo shows throughout Europe and in New York, and earlier this year her debut with Perrotin gallery in Paris sold out. “Mujeres” marks her first exhibition with Skarstedt.

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Aside from her clear references to de Kooning, BanBan’s paintings in “Mujeres” evoke the strong figures of Paula Rego, sweeping colors of Cecily Brown and Helen Frankenthaler, and the contused portraits of Picasso and Francis Bacon (with whom she shares a birthday). But she maintains the larger influence on her work is not art history, but the human experience—her human experience—gleaned in conversations with friends, on a night out, while listening to music, by thinking about the world. In this way, her paintings, she says, are like journals, chronicling her observations of herself and of others, a way to record life as it happens. If, like Sontag said, a journal “is a vehicle for [a] sense of selfhood,” then BanBan’s portraits are a way of turning that personal selfhood universal. For through depicting the body, we more clearly see the self, and if we can see it, we hopefully get that much closer to recognizing it, accepting it, and maybe even loving it.“Cristina BanBan: Mujeres” is open now through December 17 at 20 East 79th Street.

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